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Jin Travels Japan

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Kamishikimi Kumanoimasu Shrine: A Spiritual Journey in Takamori
With our time in Takachiho concluding with sunrise watching at Kunimigaoka Observatory and our breakfast back in Kamigakure, it is time for us to say our farewells to the mystical place blessed by the Gods - but is our spiritual journey truly over? Of course not! In this post today I'm going to take you to Kumamoto, but we aren't reaching the city just yet as we are still hoping to immerse ourselves with a little more spirituality — so we are visiting Kamishikimi Kumanoimasu Shrine!

Kamishikimi Kumanoimasu Shrine Ugetoiwa
Ugeto-Iwa, what a view

Table of Contents

  • Introduction
  • The Name: What Does It Mean?
  • The Myths: Gods, Legends, and a Cave
  • Architecture and Design
  • The Visiting Path: A Journey Through Nature
  • Hall of Worship: Where Spirits Reside
  • Ugeto-Iwa: A Window to the Divine
  • How to Visit
  • Tips for Visitors

Kamishikimi Kumanoimasu Shrine - An Introduction

Kamishikimi Kumanoimasu Shrine Ugeto-Iwa
Hiking up here is a reminder of how your efforts will always pay off

Nestled in the lush forests of Takamori, Kumamoto, Kamishikimi Kumanoimasu Shrine (上色見熊野座神社) is a place where time seems to stand still. With its moss-covered stone lanterns, towering cedar trees, and a pathway that feels like it leads to another world, this shrine is a spiritual haven and a photographer’s dream. Whether you’re seeking tranquility, a connection to nature, or just a unique adventure, Kamishikimi Kumanoimasu Shrine is a must-visit.

We planned to visit here right before we visit Mt. Aso, a popular volcanic mountain located in Kumamoto, and figured that Kamishikimi Kumanoimasu Shrine is somewhere we can drop by en-route (okay I'll be honest, with just a slight detour) and the information we found online when we were researching for places to go were so promising we just couldn't bring ourselves to miss it! 

But what makes this shrine so special? Is it the ancient myths that surround it? The breathtaking architecture that blends perfectly with its surrounding nature? Or the sense of peace that washes over you as you walk its sacred paths? Spoiler alert: it’s ✨all ✨ of the above. Join me as I take you through the history, myths, and my personal experience at this magical shrine!



The Name: What Does It Mean?

Kamishikimi Kumanoimasu Shrine Forest
To bask under the sunlight dancing between the leaves with a breezy autumn is truly a refreshing experience.


Let’s break down the shrine’s name, because it’s a mouthful to be read out, and a handful to be typed out! Kamishikimi Kumanoimasu Shrine (上色見熊野座神社) can be translated as “Upper Shikimi Kumano Shrine.” The shrine’s name, Kamishikimi Kumanoimasu, tells a story of its origins, and here’s what each part means:
  • Kami (上): Refers to the “upper” part of a mountain or a stream. But in this context, it is referring to the upper part of Shikimi Village, which was once a small agricultural community.
  • Shikimi (色見): The name of the village where the shrine is located in the Aso region.
  • Kumanoimasu (熊野座): Indicates the shrine’s affiliation with the Kumano network, a group of over 3,000 shrines connected to the Kumano Sanzan in Wakayama Prefecture, dedicated to the Kumano deities. The group of shrines are known for their syncretism of Shinto and Buddhism.
So, in essence, the name tells us that this is the “Upper Shikimi Shrine” affiliated with the Kumano deities. Simple, right? Well, not really, but it’s fascinating how much history is packed into those few characters!

While the exact founding date is unclear, you can easily tell that this place has been here for centuries and centuries, especially with burial mounds discovered nearby and how they have now blended so perfectly with nature. The shrine itself is believed to have been established during the Kamakura or Muromachi periods (1185–1573). Despite being rebuilt multiple times—most recently in 1979—the shrine retains its ancient charm and spiritual significance.


The Myths: Gods, Legends, and a Cave

Kamishikimi Kumanoimasu Shrine
Doesn't this look mystical already?


The shrine is dedicated to three deities: Izanagi, Izanami, and Takeiwatatsu no Mikoto. Izanagi and Izanami are central figures in Japanese mythology, credited with creating the Japanese islands and many Shinto deities. They are also the deities portrayed in the Goshintai dance of Yokagura we watched on the day before (read here). Takeiwatatsu, a legendary figure and grandson of Japan’s first emperor, is revered as the god of agriculture in the Aso region.

One of the shrine’s most fascinating features is the Ugeto-Iwa (穿戸岩), a massive rock with a hole in the middle. According to legend, Takeiwatatsu's assistant, Kihachi, kicked the rock in desperation while fleeing from his master. The cave is now a sacred site, believed to bring success in life and business to those who pay their respects.

But the myths don’t stop there. The shrine is also associated with the creation of the Aso region. Takeiwatatsu is said to have drained the volcanic lake in Mount Aso’s caldera by kicking down part of its rim, allowing the local people to become successful farmers. Talk about divine intervention!


Architecture and Design

Kamishikimi Kumanoimasu Shrine
Wished I took a closer photo, but there are sun and moon motifs in the lanterns that will also remind you of Amaterasu and Tsukuyomi

The shrine’s design is a blend of natural beauty and traditional craftsmanship. The Visiting Path (参道/Sando) is its most iconic feature—a stone pathway lined with over 100 moss-covered lanterns, flanked by towering cedar trees. Walking this path feels like stepping into a Studio Ghibli film, with sunlight filtering through the trees and mist hanging in the air.

At the end of the path, you’ll find the Hall of Worship (拜殿//Haiden), a wooden structure built in the irimoya-zukuri style (or known as 'resting hill roof', commonly found in East Asian architecture). Its hip-and-gable roof is adorned with katsuogi (decorative wooden logs) and chigi (forked roof ornaments), symbolizing the presence of both male and female deities. Behind the Hall of Worship is the Main Hall (本殿/Honden), a smaller, more sacred building where the kami (Gods/Deities) reside.


The Visiting Path: A Journey Through Nature

Kamishikimi Kumanoimasu Shrine
The torii where the hike all begins


The Visiting Path is the heart of the shrine's charm. With a short walk from the parking lot passing by some unmanned stalls selling local produces, you'll find a torii standing over a flight of stairs with a signboard of Kamishikimi Kumanoimasu Shrine. As you walk up the stone steps, you’ll pass by over 100 moss-covered lanterns, each donated by locals as a sign of gratitude. The path is flanked by towering cedar trees, their branches forming a natural canopy that filters the sunlight into a soft, ethereal glow.


Kamishikimi Kumanoimasu Shrine
Fun fact: Temizuya can also be read as Chouzuya, the word itself evolved over time so there are multiple ways of reading the kanji!

Halfway up the path, you’ll find the Purification Fountain (手水舍/Temizuya), where visitors cleanse their hands and mouths before entering the sacred space (and no, you don't need drink it, you can just rinse your mouth with the water after cleansing your hands, and also, no, you don't spit the water back into where you scooped it from). The fountain is simple yet elegant, with water flowing slowly where you can relax in its sounds. It’s a reminder to leave the outside world behind and enter the shrine with a pure heart.

💡Pro Tip: Before you go beyond this point, you'd want to have a toilet break at the restroom right opposite of the temizuya, because you won't be able to find any ahead!


Hall of Worship: Where Kami Resides

Kamishikimi Kumanoimasu Shrine
Before we hike further from the temizuya

One thing to note is that there is, in fact, quite a number of steps along the slope to take until you reach the haiden, but it is a nice walk in nature on the day we visited, so we took our time! It felt like we were basking in a soft shower of sunlight, sweating a little but quickly cooled down by the gentle autumn breeze, while I jokingly complained about my horrendous stamina while breathing the scent of the forest woods along with a sliver of petrichor as we watched the specks of sunlight danced over the ground. And with a bit of panting and chatting along the way, we finally arrived at the Hall of Worship. 


Kamishikimi Kumanoimasu Shrine
I had to take a picture of the roof because it reminds me of a silly yet adorable face and it was so crowded to the point I couldn't take a proper photo of the main building


The moment we saw the top of the stairs, we were definitely taken aback in surprise at how it was congested where we had to go 'excuse me' multiple times to get to the side of the main hall instead of standing along the stairs (mainly for personal safety, because I don't think it's safe to have tired legs while trying to queue to see what's ahead).

If I had to be honest, I initially thought this would've been a place with less tourists, or perhaps an off-the-beaten-path, a hidden gem or the sort, but to my surprise there are many tourists from Taiwan and Hong Kong (I can tell from their accents as a Mandarin speaker before you ask) visiting as well. Good for Kyushu, for sure! 


Kamishikimi Kumanoimasu Shrine
This was really the best I could do because of the crowd


Like many shrines, at the hall, you’ll find a rope with a bell attached. Visitors ring the bell to announce their arrival and offer a prayer. The atmosphere is serene, with the sound of the bells echoing through the forest. It’s a moment of connection, both with the kami and with the natural world around you. 

After some waiting time while catching our breaths from the hike, we did manage to make our offerings despite the crowd, though we also noticed there were no omamori left for us to purchase. There are, however, people leaving their old omamori that has been expired into a designated box, but since the shrine appears to be unmanned, we assumed that they just happened to be sold out.


Ugeto-Iwa Cave: A Window to the Divine

While we were queuing, we heard some unique sounds echoing throughout the mountains. The sounds were melodious, pleasant to the ear, almost reminding me of sounds of bamboo pipes from traditional water fountains, but none of us could really place a finger on the actual source of the sound and found it mystical at the first place.

However, after paying our respects, and seeing there's a path ahead, we decided to follow the path, and that's how we began our journey continues up a steep staircase to the Ugeto-Iwa (穿戸岩). And just when we were almost wondering if we were going to really take up the challenge in the hike, we found these (see image below) and finally came to a realization on the source of the echoing melodies across the mountain. People were using these sticks as a walking stick, and the echoing sounds were the sounds of the bamboo sticks hitting the stone ground!


Kamishikimi Kumanoimasu Shrine Bamboo
Bamboo sticks you can borrow as a hiking stick (remember to return them when you descend!)

While none of us knew too much about the cave at first, we did decide that if my spine is hurting we'll be turning back. Thankfully, we didn't, and we did find out that the cave is a massive rock with a hole in the middle, and only after our trip we knew that it was believed to have been created by Takeiwatatsu’s assistant, Kihachi, as he fled from his master. The cave is now a sacred site, with a small shrine nestled inside.

Kamishikimi Kumanoimasu Shrine Ugeto Iwa Cave
A shot taken before we left

Climbing to the cave is no easy feat—the stairs are steep, and the path is narrow—but the view from the top is worth it. It was also a windy morning, so we also had to queue a little to take pictures while trying to avoid getting sand into our eyes. However, as you stand at the entrance to the cave, you’ll feel a sense of awe and reverence. It’s a reminder of the power of nature and the divine, and a moment to reflect on your own journey. I was also immensely grateful that while I may not in perfect health, I still managed to finish the hike and I wish to be blessed with abundance in health from here onwards. After taking one final picture of the cave, we descended and moved to our lunch spot in Aso.


How to Visit



From our hotel at Kamigakure, it was about 45 minutes by car. We found a parking lot nearby for visitors of the shrine, bought some drinks from a nearby vending machine (because we craved for drinks we missed in Japan and couldn't find them easily anymore), and walked past these unmanned stalls until we found the flight of stairs.


Unmanned vegetable store Kyushu
You can put some cash and purchase local produce here.


Kamishikimi Kumanoimasu Shrine is accessible by car, and if you are visiting from Aso, it is only about 10 minutes from Minami Aso Tetsudo Takamori Station. There are limited parking, though. The parking lot only fits about 30 cars, and you can also see large buses for tourist groups too.

If you are visiting by bus, there are local buses on the Shikimi Loop Line. It takes about 16 minutes from Takamori Station, but the bus frequency is very low (only 4 trips outbound and 3 trips inbound for the year 2023). While the fare is affordable at only 200 yen per ride, the frequency may make it difficult for planning with limited time, so we'd still recommend renting a car when you visit southern Kyushu. You can check Sanko Bus's website for their latest schedule if you'd still like to find out more about it. 

Alternately, you can also book a taxi in advance via this website if you are traveling within Aso. If you have more time to spend in southern Aso, there is also a pass you can consider: The Aso Minamiaso Travel Rail Bus Pass (Check details here and only purchase if it's applicable for your journey).


Tips for Visitors

Kamishikimi Kumanoimasu Shrine
You can see Ugeto-Iwa on top left of the image!

  • Arrive Early: The shrine is most peaceful in the early morning, before the crowds arrive.
  • Wear Comfortable Shoes: The path can be slippery on a rainy day, and it is also on a slope, proper shoes would be highly recommended.
  • Bring a Camera: The shrine and its surroundings are incredibly photogenic, you'll regret it if you don't have a camera with you!
  • Respect the Sacred Space: Remember that this is a place of worship. Be mindful of your actions and keep noise to a minimum.
  • Return the Bamboo Stick: It can be tempting to use the bamboo stick you borrowed, especially when you are not here with a hiking stick, but let's return what we borrowed so we don't leave bad karma. We're in a sacred place, after all!
  • Be mindful of your condition: If you are feeling unwell, rest and use support when necessary. Do not force yourself to proceed and jeopardize your health, because your wellbeing is more important, and Japan will always be there until your next visit! Please take care!

And that concludes my introduction to Kamishikimi Kumanoimasu Shrine! Have you ever visited a shrine that felt like it was from another world? Or do you have a favorite spiritual spot in Japan? Let me know in the comments—I’d love to hear from you! And if you’re planning a trip to Kumamoto, don’t forget to book your accommodations and rental car using my links:
  • Flights and Car Rentals: Trip.com
  • Hotels: Agoda
Happy travels, and may your journey to Kamishikimi Kumanoimasu Shrine be as magical as mine! ✨
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Takachiho Kunimigaoka Sunrise

Ever dreamed of standing above a sea of clouds, watching the sun rise over a mystical landscape? That’s exactly what I had in mind when I set my alarm for an ungodly hour to visit Kunimigaoka (国見ヶ丘), one of Takachiho’s most famous viewpoints.

Knowing how magical sea of clouds (or how we also call it unkai) looks whenever I promoted it during my time working as Hoshino Resorts Tomamu's event interpreter for a few occasions, I looked forward to seeing the unkai with my very own eyes!

Spoiler alert: I didn’t get to see unkai, but the sunrise was absolutely breathtaking. But since I did my research so here’s how it all went down—and maybe with this you can also know how you can plan your own adventure!


Blogpost Overview

  • The Early Morning Adventure
  • The Disappointment (and the Silver Lining)
  • When to Visit for the Sea of Clouds
  • How to Get to Kunimigaoka
  • What to Bring
  • Final Thoughts: A Lesson in Letting Go

The Early Morning Adventure

After the Yokagura last night, I had a good soak in the hot spring during my stay with Kamigakure, slept at 11pm and woke up at 4 in the morning just for another quick hot spring session while waiting for the girlies to wake up.


Our day started at 5:00 AM (yes, you read that right). We were staying at Kamigakure (book your stay here for a luxurious experience!), and the staff had kindly told us that the sunrise would be around 5:20AM for the day we wanted to catch the unkai, and catching the sea of clouds is a game of luck where there's nothing guaranteed. Still, being somebody who has never seen unkai before, we were determined to try! After a quick cup of tea (thank you, Kamigakure for the complimentary coffee and tea), we hopped into our rental car and drove the 10 minutes to Kunimigaoka.

The drive was peaceful, and we're yawning as we traveled. By the time we arrived, the sky was just beginning to lighten, and there are already so many early birds there, already setting up their cameras! We can't even find ourselves a seat at first so we walked around while we waited.


The Disappointment (and the Silver Lining)

Takachiho Kunimigaoka Sunrise
Warm and toasty!

After settling myself on a nearby swing, I looked across the hills around Takachiho and had a feeling we are not going to see the unkai today. As the sun began to rise, it confirmed my intuition—the sea of clouds wasn’t going to make an appearance. After all, the days before had been very sunny, especially when the autumn season is known to be a little drizzly, which meant the conditions weren’t right for the clouds to form. I’ll admit, I was honestly more than just a little disappointed—I’d been dreaming of that iconic view for weeks since I didn't manage to see it back when I was in Hokkaido as well!

But then, the sun peeked over the horizon, and it was like the gods gathered around to paint! The sky turned into a blue canvas with hues of pinks, purples, oranges, and golds, casting a warm glow over the rolling hills and forests below, and the warmth of the day thawing the coldness all over my face and arms, bringing so much comfort in the serene view. It was magical in its own way, and I quickly forgot about the missing clouds. Sometimes, nature has its own plans, and they’re just as beautiful.

When to Visit for the Sea of Clouds

Takachiho Kunimigaoka Sunrise
A bench! After walking away from the crowd!

If you’re determined to see the sea of clouds (and I don’t blame you—it’s stunning!), here’s what you need to know:
  • Best Time of Year: The sea of clouds is most likely to appear from late autumn to early spring (October to March), when the temperature difference between day and night is significant.
  • Best Time of Day: Arrive 30–60 minutes before sunrise. The clouds usually form in the early morning and dissipate as the day warms up.
  • Weather Conditions: You’ll need a combination of high humidity, cool temperatures, and calm winds. Rain the day before increases your chances, but sunny days (like ours) make it less likely.
Pro tip: Check the weather forecast and ask your accommodation staff for advice (and depart earlier than informed). They’re usually in the know about local conditions!

How to Get to Kunimigaoka


Kunimigaoka is located about 15 minutes by car from Takachiho town center. Depending on where you stay, the time may vary. Above is an embedded map for Kunimigaoka's location, and here’s how to get there:


By Car:

  • If you’re staying at Kamigakure, it’s a short and scenic drive (route here). It takes about less than 10 minutes to reach the parking lot. Signs are also available so navigating around is easy!
  • To us, renting a car is the most convenient option, especially for early morning trips. Consider booking a rental car through Trip.com for a smooth experience!

By Public Transportation:

  • Unfortunately, as far as I've researched for convenient transportation, I would not recommend it. Not only is public transportation is limited, there are simply no service early enough to catch the sea of clouds. 
  • If you're staying in Takachiho without a rental car, perhaps requesting for a taxi in advance could work (making an arrangement via the hotel in advance can be an option!) but they can get a little costly since you'd likely want the driver to wait for you to send you back to your hotel as well.
  • Walking is also not a good idea especially during midnight, due to safety reasons because it'd be quite a hike, and with the humidity? Please scrape the idea off your mind.

What to Bring

  • Warm Clothing: Mornings in Takachiho can be cold, especially during the cooler months. Layer up with a jacket, scarf, and gloves.
  • Portable Chair (Optional): While there are chairs near the observation deck, they can get occupied easily. The observation deck can get chilly, and having something to sit on makes the wait for sunrise or sea of clouds more comfortable. Or if it's inconvenient, you can always stand around and even look for nearby swings to sit on!
  • Camera or Smartphone: Whether you catch the sea of clouds or just the sunrise, you’ll want to capture the moment. You might want to also bring some kairo (heated pads) in case if your phone decides to shut itself down due to the cold weather and winds, or even just to keep yourself warm!
  • Thermos of Coffee or Tea: Trust me, a warm drink makes the early wake-up call much more bearable! Also it feels like a luxury to have a warm drink when you're seated comfortably while waiting for the sunrise during the colder season, no?
  • Patience and Flexibility: Nature is unpredictable, so go with an open mind. Even if you don’t see the sea of clouds, the sunrise is worth it.

Final Thoughts: A Lesson in Letting Go

Takachiho Kunimigaoka Sunrise
It's crowded here, but it was quiet and serene.

While I didn’t get to see the unkai, the experience taught me a valuable lesson: sometimes, the best moments are the ones you don’t plan for. Watching the sunrise at Kunimigaoka was a reminder to appreciate the beauty in front of me, even if it wasn’t what I’d envisioned. 

In addition, the days I've had so far were great! No rains, and things did happen smoothly and everything had been very enjoyable and pleasant. Not to mention, what comes after the sunrise was the highlight for that day too! Blessings are everywhere!

So, if you’re planning a trip to Takachiho, I highly recommend adding Kunimigaoka to your itinerary. Whether you catch the sea of clouds or just a stunning sunrise, it’s an experience you won’t forget. And if you’re looking for a cozy place to stay, book your stay at Kamigakure here—it’s the perfect base for your adventures!

Have you ever chased a natural phenomenon like the sea of clouds? Or do you have a favorite sunrise spot you’d like to share? Let me know in the comments—I’d love to hear from you! And if you’re planning a trip to Takachiho, don’t forget to book your accommodations and rental car using my links:

  • Flights and Car Rentals: Trip.com
  • Hotels: Agoda
Happy travels, and may your adventures be as magical as a Takachiho sunrise! ✨
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Wondering what it would be like to watch a live-action retelling of Japanese myths with a side of humor and a dash of divine drama? Then the Night Kagura at Takachiho Shrine is your answer! This isn’t just a performance—it’s an entertainment that takes you for a spiritual joyride to a glimpse of an Important Intangible Folk Cultural Property of Japan, where you get to be involved as the audience too! 

Here's an overview for this blog post!
  1. What is Yokagura?
  2. The Setting
  3. What We Watched and Why it is Entertaining
  4. Making a Reservation for Takachiho Yokagura
  5. Practical Tips for First-Timers

What Is Yokagura, Anyway?

The opening, where the hoshadon informs us on the order of the performance and provided us with context.


Yokagura (夜神楽, "Night Kagura") is a traditional Shinto ritual dance that’s been performed in Takachiho for generations. It’s a sacred dance-drama that reenacts myths from the Kojiki (Records of Ancient Matters), Japan’s oldest chronicle of myths and legends. The performance is so culturally significant that it’s been designated as an Important Intangible Folk Cultural Property of Japan.

The full Yokagura consists of 33 dances, performed throughout the entire night. But the nightly show at Takachiho Shrine features a selection of the most famous ones (and for our visit, it was four out of 33). Each dance tells a story, blending reverence with humor, drama, and even a bit of audience participation. It’s like watching a live-action anime, but with gods, masks, and a lot of drumming.

In the kagura performance, you will see dancers performing various acts from singing to dancing and interacting with the audience in the venue. The Kagura dancers are called "hoshadon" (奉仕者), meaning "attendants". Other than performing, they are also in charge of setting the sacred stage known as "koniwa" (神庭), which means "god's garden". Men are the only ones permitted to take on the role of hoshadon.

Each year, about 20 venues where they are mostly homes throughout Takachiho, will be selected to serve as sacred stages for the performance uniquely to each village on different nights from mid-November to February, held to petition the gods for a bountiful harvest for the current year, and fertile conditions for the next.  Between these months, there are a total of 33 mythological episodes performed at each of the venues, along with a hayashi ensemble made up of flutes, drums, and other traditional elements. (If you'd like to find out the full schedule of each location to watch all dances instead of just four like what we did, you can refer to this site and make your own arrangements.)

The 33 dances are said to be inspired by the belief that the Bodhisattva Kannon saves people through 33 manifestations. The sacred masks, called "omote-sama," represent the deities themselves, and the origin of the masks is said to be a representation of deities in human form. The following is a table compiling all 33 dances of the Takachiho Yokagura.


No.Name (JP/Romaji)Deity/Deities (JP/Romaji)Description (JP/EN)
1彦舞 / Hiko Mai猿田彦命 / Sarutahiko-no-Mikoto一斗枡にのぼり四方拝する。七番までをよど七番といい、普通にはこの七番で願、成就とする。 / Dances on a ittomasu (a container to measure grains, a container's volume is 18.039ℓ) and pays respects to the four directions. The first seven dances are called "Yodonanaban," and typically, these seven dances are performed to fulfill wishes.
2太殿 / Taidono句句廼智命(木)・軻遇突智命(火)・金山彦命(金)・罔象女命 / Kukunochi-no-Mikoto, Kagutsuchi-no-Mikoto, Kanayamahiko-no-Mikoto, Mitsuhame-no-Mikoto天孫降臨のとき、注連を張って高天原と定め、ここに八百万神を招く舞。 / A dance performed during the descent of the heavenly grandson, where sacred ropes are hung to designate the area as Takamagahara (heavenly realm), inviting the eight million gods.
3神降 / Kamioroshi 神漏伎命・おんしおの命・天忍穂耳命 / Kamurogi-no-Mikoto, Onshio-no-Mikoto, Amano-Oshihomimi-no-Mikoto降神の舞で神を招く。以下三番を式三番といい、一番重要で祭典では必ず舞う。土地を祓い固め、神を鎮めまつる。 / A dance to summon the gods. The first three dances are called "Shikisanban" and are the most important, always performed during festivals. It purifies and solidifies the land, calming the gods.
4鎮守 / Chinju大屋津姫命・柧津姫命 / Ooyatsuhime-no-Mikoto, Tsumatsuhime-no-Mikoto昇神の舞。神を送る。 / A dance to send the gods back.
5杉登 / Suginobori椎根津彦・莵狭津彦・入鬼神-武甕槌神 / Shiinetsuhiko, Usatsuhiko, Takehikazuchi-no-Kami剣、即ち水の徳で耕地を潤して国造りをする。宝渡しは護符の剣を氏子代表に渡す式。 / A dance using a sword, symbolizing the virtue of water to irrigate the land and build the nation. The "Takarawatashi" ritual involves passing a talisman sword to a representative of the parishioners.
6地固 / Jikatame道のたんの命・事代主神・五十猛命・玉屋命 / Michinotan-no-Mikoto, Kotoshironushi-no-Kami, Isotakeru-no-Mikoto, Tamanooya-no-Mikotoかまど祭で重要な舞。屋敷祭をする。神主と問答あり。 / An important dance in the Kamado Festival. A house festival is held. There is a dialogue with the Shinto priest.
7幣神添 / Hikanze彦狭知神・天日命 / Hikosachi-no-Kami, Amano-Hi-no-Mikoto幣による祓いの舞、願神楽。折敷に神歌あり。 / A purification dance using sacred offerings called Gan Kagura. A sacred song is sung during the dance.
8武智 / Buchi弟橘姫・衣通姫 / Ototachibana-hime, Sotoori-himeむちかむしとも言う。戦い準備の舞。 / Also called "Muchikamushito." A dance preparing for battle.
9太刀神添 / Tachikanze大屋津姫命・柧津姫命 / Ooyatsuhime-no-Mikoto, Tsumatsuhime-no-Mikoto太刀の神威により厄難を払う舞。ハレワイサのサアという舞手の掛け声が入る。岩潜りと共に神添の本体、全国に見られる。 / A dance to ward off calamities using the divine power of the sword. The dancers shout "Harewaisa no saa." This dance, along with "Iwakura" (see #12), is a core part of the Kagura and is found nationwide.
10弓正護 / Yumishougo月夜見命・天日鷲命・経津主神・武甕槌神 / Tsukuyomi-no-Mikoto, Amanohiwashi-no-Mikoto, Futsunushi-no-Kami, Takehikazuchi-no-Kami弓を持ち悪魔を払う舞。宝渡しは弓矢を氏子(村人)に渡す式。 / A dance using a bow to ward off evil spirits. The "Takarawatashi" ritual involves passing the bow and arrow to the parishioners.
11沖逢 / Okie天村雲命・思兼神・事代主神・天穂日命 / Amano-Murakumo-no-Mikoto, Omoikane-no-Kami, Taokihaoi-no-Mikoto, Amano-Hohi-no-Mikoto水神を祭る火伏せの神楽。天真名井の水を下すという。吹けば行く吹かねば行かぬの歌が入る。 / A Kagura to worship the water deity and prevent fires. It is said to bring down the water from the Amano-Iwato. The song "Fukeba Yuku" is sung during the dance.
12岩潜 / Iwakuguri武甕槌神・天目一箇命・手置帆負命・猿田彦命 / Takehikazuchi-no-Kami, Amano-Mahitotsu-no-Mikoto, Taokihaoi-no-Mikoto, Sarutahiko-no-Mikoto剣の舞、白刃を持ち回転などする。安産を祈る女子が帯をたすきにしてもらう。 / A sword dance, where the dancer wields a white blade and performs rotations. Women praying for safe childbirth offer their sashes as straps.
13地割 / Chiwari 荒神-素戔鳴命・神主-天児屋命・・幣挿-太玉命・弓舞-月夜見命・太刀舞-武甕槌神 / Susanoo-no-Mikoto, Amano-Koyane-no-Mikoto, Futodama-no-Mikoto, Tsukuyomi-no-Mikoto, Takemikazuchi-no-Kamiかまど祭で重要な舞。屋敷祭をする。神主と問答あり。 / An important dance in the Kamado Festival. It involves a dialogue between the priest and the deity.
14山森 / Yamamori青龍王命・赤龍王命・白龍王命・黒龍王命・山の神-黄龍王命 / Seiryuuou-no-Mikoto, Shakuryuuou-no-Mikoto, Hakuryuuou-no-Mikoto, Kokuryuuou-no-Mikoto, Yama-no-Kami (Kouryuuou-no-Mikoto)最も素朴な舞。山の神と二頭の獅子が出る。この後、獅子は門付に出て戸毎を祝福する。 / The most rustic dance. The mountain deity and two lions appear. After this, the lions go door-to-door to bless each household.
15袖花 / Sodehana天鈿女命・柧津姫命・石凝姥命・木花開耶姫 / Amano-Uzume-no-Mikoto, Tsumatsuhime-no-Mikoto, Ishigoridome-no-Mikoto, Konohanasakuyahime-no-Mikoto鈿女命が天照大神のお使いにて猿田彦神をお迎えに行かれる舞。 / A dance where Amano-Uzume-no-Mikoto, as a messenger of Amaterasu, goes to meet Sarutahiko-no-Mikoto.
16本花 / Honbana天鈿女命・柧津姫命・石凝姥命・木花開耶姫 / Amano-Uzume-no-Mikoto, Tsumatsuhime-no-Mikoto, Ishigoridome-no-Mikoto, Konohanasakuyahime-no-Mikoto膳には米と榊をのせる。米の收穫を祝いまた豊作を祈る。 / Rice and sakaki branches are placed on a tray. The dance celebrates the rice harvest and prays for a bountiful harvest.
17五穀 / Gokoku倉稲魂命・保食神・大田命・大己貴命・大宮売命 / Ukanomitama-no-Mikoto, Ukemochi-no-Kami, Ootana-no-Mikoto, Ooanamuchi-no-Mikoto, Oomiyanome-no-Mikoto穀種を祭る。各々膳に穀をのせ持って舞う。後之をまいて村人が拾い帰る。 / A dance to worship grain seeds. Each dancer carries a tray of grains and dances. The grains are later scattered for the villagers to collect.
18七貴神 / Shichi Kishin大国主命・御子神 7 人 / Ookuninushi-no-Mikoto, Mikogami農神の舞。姿も十二ヵ月を表すぼんてんを負う親神は六尺の杖を持つ。 / A dance of the agricultural deity. The parent deity wears a robe representing the twelve months and carries a six-foot staff.
19八つ鉢 / Yatsubachi少彦名命 / Sukunahikona-no-Mikoto八揆とも書く。少彦名命が太鼓に乗って身軽な舞をする。 / Also written as "Yatsuki." Sukunahikona-no-Mikoto performs a light dance on a drum.
20御神体 / Goshintai伊奘諾尊・伊奘再尊 / Izanagi-no-Mikoto, Izanami-no-Mikoto酒こしの舞という。酒をつくる様によせてかまけわざをし、見物人の中にも入ってくる。 / Also called the "Sake Koshi" dance. It mimics the process of making sake and involves interacting with the audience.
21住吉 / Sumiyoshi住吉神・八幡神・春日神・白鬚神 / Sumiyoshi-no-Kami, Hachiman-no-Kami, Kasuga-no-Kami, Shirahige-no-Kami海神の舞。稲荷神楽ともいう。最初から歌が入る。 / A dance of the sea deity, also called "Inari Kagura." Songs are sung from the beginning.
22伊勢神楽 / Ise Kagura天児屋命 / Amanokoyane-no-Mikoto七段しばりの大幣を持ち舞う。岩戸を探る舞で岩戸開きの準備である。 / A dance performed with a large sacred staff, preparing for the opening of the Amano-Iwato.
23柴引 / Shibahiki天香語山命 / Ama-no-Kagoyama-no-Mikoto天香具山の柴を引き岩戸の前に飾る。これから岩戸五番、伊勢神楽と日前又は大神を加え岩戸七番という。 / A dance where branches from Amano-Kagoyama are brought to decorate the front of the Amano-Iwato. This marks the beginning of the "Iwato Goban" and "Ise Kagura," leading to the "Iwato Shichiban."
24手力雄 / Tajikarao手力雄命 / Tajikarao-no-Mikoto天照大神が隠れている天岩戸を探し当てるところ。鈿女と入れ替わる。 / A dance where Tajikarao-no-Mikoto searches for the Amano-Iwato where Amaterasu is hiding. He switches places with Amano-Uzume-no-Mikoto.
25鈿女 / Uzume天鈿女命 / Amano-Uzume-no-Mikoto天岩戸の前の舞。神楽の起源といわれる。 / A dance in front of the Amano-Iwato, said to be the origin of Kagura.
26戸取 / Totori戸取明神(手力雄命) / Totori Myoujin (Tajikarao-no-Mikoto)天岩戸を開き、天照大神に再び出て頂く。これで又世の中が明るくなった。 / A dance where the Amano-Iwato is opened, and Amaterasu is invited to come out again, bringing light back to the world.
27舞開 / Maihiraki手力雄命 / Tajikarao-no-Mikotoついに天岩戸を開き天照大神に出て頂いたので鏡を両手に持って喜び祝い舞う。 / A celebratory dance where the dancer holds a mirror in both hands, rejoicing that Amaterasu has emerged from the Amano-Iwato.
28日の前 / Hinomae天児屋命・猿田彦命・思兼命・天鈿女命 / Ama-no-Koyane-no-Mikoto, Sarutahiko-no-Mikoto, Omoikane-no-Mikoto, Ama-no-Uzume-no-Mikoto外注連を祭り、天照大神の出御を祝福する。神送りの舞。麻のついた大幣をもつ。高千穂神楽特有の舞。 / A dance to celebrate the emergence of Amaterasu, performed with a large sacred staff adorned with hemp. This is a unique dance of Takachiho Kagura.
29大神 / Daijin矢房八郎拝鷹天神・道のたんの命・伊勢命 / Yafusa Hachirou Haitenjin, Michinotan-no-Mikoto, Ise-no-Mikoto大わだつみの神(海の幸)の清めの舞。願掛け、願ほどきの神楽。 / A purification dance of the sea deity (Owadatsumi-no-Kami). It is a Kagura for making and fulfilling wishes.
30御柴 / Onshiba瓊瓊杵命・天村雲命・神主-天穂日命 / Ninigi-no-Mikoto, Amano-Murakumo-no-Mikoto, Amanohohi-no-Mikoto神人一体の古風を最もよく象徴する。二神柴に乗り村人多数に担がれて外注連に向かう。 / A dance symbolizing the unity of gods and humans. The deities board on their ride and are carried by many villagers.
31注連口 / Shimeguchi手力雄命 / Tajikarao-no-Mikoto神送りをするところ。四人はみどりの糸をとって注連の前で舞う。舞いおろす中のヤ、正面舞い下ろすヤ、今は正面おさめましますの歌あり。 / A dance to send off the gods. Four dancers sing and dance in front of the sacred ropes with green threads and sacred bell in their hand.
32繰下し / Kurioroshi天児屋命・天日鷲命・天村雲命・天帆負命 / Ama-no-Koyane-no-Mikoto, Ama-no-Hiwashi-no-Mikoto, Ama-no-Murakumo-no-Mikoto, Ama-no-Hoobi-no-Mikoto雲下ろしの用意。雲綱をとり外注連に向かって舞う。 / A dance preparing to lower the clouds. The dancers hold cloud ropes and dance toward the outer sacred ropes.
33雲下し / Kumooroshi神漏美命・手置帆負命・天児屋命・思兼命・太玉命 / Kamuromi-no-Mikoto, Taokihaoi-no-Mikoto, Amano-Koyane-no-Mikoto, Omoikane-no-Mikoto, Futodama-no-Mikoto雲を下ろす舞。紙吹雪が舞い散ってみごとな三十三番の大成就。 / A dance to lower the clouds. Paper confetti scatters, marking the grand completion of the 33 dances.
Table: List of all 33 Kagura dances in Takachiho. JP source here. 
Translation is roughly done by yours truly.



The Kagura songs are sung to accompany each dance, marking the progression and transitions of the movements. While they can vary regionally, the Kagura of Takachiho is called "Torimono Kagura," as the objects held during the dance reflect the wishes and nature of the Kagura. 

Some props you can observe on the stage


Depending on the type of Kagura, there are various sacred tools used in their performance. The sound of bells represents the "words of the deities", while sakaki branches and sacred staffs serve as vessels for the deities; A staff is a tool that symbolizes divine power, while also used as a farming tool, a measuring stick, or a gift from mountain dwellers; A bow and arrow are used to ward off evil spirits, and a sword is a sacred object of the water deity. A fan is a ritual tool used in divine ceremonies, and the fan dance begins with the fan closed, then transitions to an "open fan" dance, symbolizing the unfolding of power.

Dances like "Jigatame," "Iwakura," and "Yamamori" use swords and are associated with water deities, but they also include prayers for fertility and safe childbirth, as women's sashes are used as straps. These dances express the wish for the fertility of the land and the prosperity of the village through the birth of descendants. 

"That's a lot of dances and a lot of details, Jin! And I don't think we can stay awake all night when we're traveling!" 

Don’t worry,  I gotchu! That's exactly why I'm writing this post, because what we did was to watch the magical nightly show that is way, WAY easier on our sleep schedule—the Yokagura at Takachiho Shrine.



The Setting: Welcoming and Mystical

Takachiho Yokagura Interior
We're pretty early, but the front to the middle is already fully taken by the time we arrived!

The Yokagura performance takes place in the Kagura Hall (Kaguraden) at Takachiho Shrine. The space is small, with tatami floors and a stage that feels like it’s been there for centuries (after all, it's a venue to fit 200 visitors at most). The atmosphere is warm and welcoming, and the warm glow of torches outside the entrance added more to the mystical vibe. After taking your shoes off and entering the hall, you’ll be sitting on the floor (Japanese-style), so get ready to channel your inner samurai and sit cross-legged for an hour!

Our stay with Kamigakure helped us with making our time here easier, to be honest! While our lodging is pretty close to Takachiho Shrine that we were planning to walk there after dinner, Kamigakure offered return trips by vans. Not only that, we were also given zabutons (seat cushions) in a bag so it's given us a much comfortable experience!


The Performance: Myths, Music, and Mischief


If you needed a short recap of what lead to the act of this story to be told in the form of Kagura, I gotchu! A TL;DR: Amaterasu, the sun goddess, hid in a cave after arguing with her brother, and plunged the world into darkness. The other gods lured her out with a mirror and a lively dance. (For more backstory, consider reading my earlier blog post here.)

As we mentioned earlier in this blog post, the show typically consists of four acts in the Yokagura at Takachiho Shrine, where each telling a different story from Japanese mythology. The show begins on time with an introductory speech on the backstory as well as the order of performance. While the performance is not coming with an English audio guide or the sort, an English pamphlet containing its summary was also provided when we confirmed our tickets at the counter. If you are a Japanese speaker like I do, you can also choose a Japanese pamphlet if you'd like! I did it just to practice my reading back then, who would've thought I'd end up using it for a reference in blogging much later?

Also, while it is true that there were a total of 33 shows as introduced in the table above, watching all 33 performances will be pretty physically taxing and it'd defeat our purpose of this trip. So through this Yokagura at Takachiho Shrine, we managed to watch four of them, and even with just four performances, they summarized the myth and the flow of stories perfectly. Not to mention, we didn't need to stay up all night, so it was a blessing!

For our night,  we watched the following four dances:

1. Tajikarao no Mai - Dance of Tajikarao (手力雄の舞): The Strongman Deity

Takahciho Yokagura
Look at the stone cave

Due to Amaterasu hiding herself in Amanoiwato, Tajikarao-no-Mikoto, the god of strength, scouted around Amanoiwato quietly in search for Amaterasu. And while there were close to no words spoken, you can feel the tension from the silence. There's just this magical way where the audience could immerse themselves in the intensity of the atmosphere just from the way he pondered, pausing as he scouted quietly and carefully throughout the performance.

In the later part of the performance, Amano-Uzume makes her appearance, switching places with Tajikarao as part of their plan to lure Amanoterasu out from where she hid, and there comes the second part of the show we watched - Uzume no Mai!

2. Uzume no Mai - Dance of Uzume (鈿女の舞): The Goddess Who Saved the World

Takachiho Yokagura
You can see Uzume using props on stage


This dance reenacts the myth of Amano-Uzume, the goddess of dawn, who performed a lively dance to lure the sun goddess Amaterasu out of hiding. After Amaterasu retreated into a cave and plunged the world into darkness (though, the hall was nowhere dark, else we won't be able to see a thing, haha!), Uzume stepped up with her infectious energy and playful moves. Her dance is elegant yet joyful, and it’s impossible not to smile as she twirls and leaps across the stage.

Fun Fact: Uzume's dance is said to be the origin of Kagura itself. So, in a way, you’re watching the OG performance that started it all. Also, did we mention that all performers are males? Yet the way they managed to play Uzume so well, where her femininity, elegance and grace was so beautifully portrayed we completely forgot about the fact that it was by a male performer!

3. Totori no Mai - Dance of Totori (戸取の舞): The Rock Door Removal

Takachiho Yokagura
You can see the usage of the staff by Tajikarao


This dramatic scene shows Tajikarao removing the rock door (Iwatogakure) of Amaterasu's cave, allowing light to return to the world. He literally forced open the cave where Amaterasu was hiding. The stage was set up in a way where they had a backdrop with props of a rock entrance that can actually be moved. This dance is all about power and energy, with bold, expressive movements that make you feel like you’re watching a divine workout session, feeling the tension as the performer portrayed the difficulties in pushing the rock away.

The performer’s vigorous gestures and striking poses are a highlight of this act, and you can almost feel the cave door being ripped open little by little. The dance is intense and dynamic, with the performer using exaggerated movements to convey the sheer force required to move a giant boulder. It’s a reminder that even gods have to work hard sometimes, so I should work hard for my next vacation too! 

4. Goshintai no Mai - Dance of the Gods’ Banquet (御神体の舞): The Afterparty

Yokagura at Takachiho Shrine
Happy ending~

After Amaterasu emerges from the cave, the gods throw a massive celebration to welcome her back. Izanagi and Izanami both made sake, became close as they drank, hugged, cuddled, and eventually enjoyed a rather steamy moment together that made us all going "Ooooooooh!" and giggling like kids.

This act, from what I see it, reminds a lot on joy and gratitude, with the performers moving in harmony to symbolize the return of balance to the world. It also makes one remain hopeful and wishing for continuous peace and abundance in life. The music is lively, the energy is infectious, and you might even find yourself clapping along!

Meanwhile, this is also the time where the performers interacted with the audience. I couldn't help but to be immersed in this segment, recalling myself gasping, giggling and laughing like a child when they kissed, and eventually 'collapsed' behind the bush to show how lovey-dovey this couple turned out to be. We also sung some songs, where the lyrics as follows:

今夜さ夜神楽にゃ せろとて来たがサイナー
    koyosa yokaguranya  serotote kitagasainaa
せらにゃそこのけ わしがせるソンソコサイサイ
    seranya sokonoke  washi ga seru sonsokosaisai
ヨイヨイサッサ ヨイサッサ ヨイヨイサッサ ヨイサッサ
    yoiyoisassa yoisassa yoiyoisassa yoisassa 
ヨイヨイサッサ ヨイサッサ ヨイヨイサッサ ヨイサッサ
    yoiyoisassa yoisassa yoiyoisassa yoisassa 

さまは三夜の 三日月さまよサイナー
    sama ha sanya no    mikadzukisama yo sainaa
よいにちらりと 見たばかりソンソコサイサイ
    yoi ni chirari to    mita bakari sonsokosaisai



The above is the Seri Uta. "Seri" is a race (the competition kinda race), and it got its name from the fact that the fish compete with each other, violently slamming their bodies against each other. The Yokagura of this region is of the Izumo origin and has a long history. This is a song handed down in the Takachiho region of Miyazaki Prefecture. 

When the harvesting and drying work is finished and the first snow falls on the peaks of the Kyushu mountain range, each district takes turns to perform and dance through the night. It is also a "pre-celebration" event to give thanks for the harvest and pray for a good harvest in the coming year. 

So, what makes the Yokagura (or Night Kagura) so special? I hope you can already tell by how I described them above! And if you don't, let me just say that it is their unique blend of reverence and humor. The performers take their roles seriously, but they also know how to have fun! They are experts when it comes to making exaggerated body expressions, and even letting audience members join the action. It’s like watching a mix of a religious ceremony and a comedy show—something you’d never expect but will absolutely love.

Not to mention, one of the best things about the Night Kagura is how interactive it is. The performers often engage with the audience, whether it’s by making eye contact, gesturing for applause, or even getting down the stage to interact with you. (Don’t worry—it’s all in good fun, and no one will force you to do anything you’re not comfortable with.) It’s a great way to feel like you’re part of the performance, not just a spectator!

Making a Reservation for Takachiho Yokagura

While it is pretty easy to make reservations in general, there are still some key points to know before making an reservation!

The show is held nightly at 8PM, lasting an hour that showcases four representative dances from the 33 dances of Yokagura.

As long as you know you're staying the night, you can make reservations with the official booking site! Each day they accept 200 people for admission, so if it's not busy you can also make your payment on the spot if there's still a slot available. But we really recommend to book early because you wouldn't want to miss out just because they happen to be sold out on the day of your arrival.

Each ticket for adults would be 1,000 JPY, while children who are still in elementary school age and under can enter for free. If you're in a group tour of 20 people or more, you get a 10% discount and pay 900 yen.



Practical Tips for Enjoying the Night Kagura

Takachiho Shrine outside of Kaguraden
The torch outside Kaguraden, giving mystical vibes

With information on making reservations, I'm sure you'd also like to find out if there are any tips to follow, and I gotchu!

  1. Arrive Early: The Kagura Hall is small, and seating is first-come, first-served. Arrive at least 30 minutes early to snag a good spot. Or if you do happen to stay with Takachiho Kamikakure, there's a van shuttle to pick you up and drop you off in return trips, but make sure you finish dinner and arrive at the meet up spot on time!
  2. Dress Comfortably: You’ll be sitting on the floor, so wear something cozy. And don’t forget to take off your shoes before entering!
  3. Book Early: It's highly recommended to make a booking online! Especially when it's close to the weekends, it'd be a bummer to not able to get a seat when you're already there!
  4. Add Your Accommodation Details: If you're staying the night in Takchiho (which is highly recommended, by the way!) remember to add your accommodation details when you're asked for it when you make reservations of the show online at the official booking site! (Also, you can book a stay with Kamigakure like how we did for extra convenience in transportation, read more here!)
  5. Stay Engaged: Don’t be afraid to clap, cheer, or laugh out loud. The performers feed off the audience’s energy, so the more you participate, the more fun it’ll be.



Final Thoughts: A Night to Remember

Takachiho Yokagura performance interaction with audience
The performers interacting with the audience

The Yokagura at Takachiho Shrine is more than just a performance—it’s a cultural experience that brings Japanese myths to life in the most entertaining way possible. Whether you’re laughing at the gods’ antics, marveling at the traditional music, or getting pulled into the action, it’s an hour you won’t soon forget.

So, have you watch the Yokagura during your visit? Or are you planning to visit Takachiho soon? Let me know in the comments—I’d love to hear from you—I’d love to hear from you! And don’t forget to book your tickets and accommodations using my links for a seamless experience:

Flights: Trip.com
Hotels: Agoda






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About Me

Image may contain: 1 person, standing, ocean and outdoor
Jin, Type A ENFP, Virgo-Libra Cusp
Slytherin
Multilingual and travels to Japan for various purposes.
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